All in all, testament to a job done a little too well. This sets in motion a scheme hatched by the younger sibling's suitors whereby a cool loner, Patrick Heath Ledger , is paid to charm the uncharmable Kat. We know where Molly Ringwald's Andie is coming from. The reason for such shocking behaviour wasn't so much the film's content, which today garners a more sober 12 rating, but because of the use of Bill Haley and the Comets' early rock'n'roll hit Rock Around the Clock, which played over the opening credits. Superbad With The Year Old Virgin and Knocked Up certified hits, the Judd Apatow express was already rolling at full speed by the time Superbad, a comedy aimed at a younger demographic, appeared on cinema screens. That prickliness lends Dazed and Confused an ambivalent flavour. That very abstraction is part of the reason Rumble Fish has aged so well. He is played by fresh-faced year-old actor Paul Rudd, who instantly became a Hollywood fixture and fratpack comedy stalwart.
But Rumble Fish's style is more than mere pastiche. Dion Phaneuf of the Leafs, she played a former porn star in this sly comedy profiling a teen Emile Hirsch on the make and on the take until the grown ups show up. If the story doesn't get you with Pretty In Pink, the styling will. A cop played by Rogen admits that police work is nothing like the forensics-heavy procedure CSI had led him to expect. Instead we get time-lapse clouds and clocks, a percussive Stewart Copeland score, bursts of colour, a bizarre, levitating dream sequence. The ending notoriously altered to test-screening demands feels a bit of a cop-out, though you could read it as a bittersweet commentary on romance versus pragmatism. Whether she's applying her lipstick or calling out Andrew McCarthy's snobbery, we're with her all the way. Road Trip Before Todd Phillips had Hangovers, there was this uproarious misadventure recalling college kids on a journey to the centre of their immature ridiculousness. Think of The To Do List as the latest in a long series of romping and risque flicks designed to titillate the teen in all of us. For Editorial Use Only. Hughes takes all of this seriously, and he takes time to build his characters. Coppola took pains to create a hermetic world all of its own: That prickliness lends Dazed and Confused an ambivalent flavour. Instead, Larry Clark's raw, bracing drama reminds us just how safe and artificial most teen movies are. We've seen her home, and how embarrassed she is about it, we've hung out in her bedroom, we've seen the state of her single dad a poignant Harry Dean Stanton. Daring for its time in the depth of its black comedy — two grotesque, sexist jocks are killed and a note left to suggest a doomed gay love pact — Heathers mostly earned its cult kudos from such cracking one-liners as: While they're out working, their offspring are getting drunk, getting stoned, partying, fighting, stealing, and having lots more sex than they ever did — albeit clumsily, unsafely and with people they don't particularly like. The cast hasn't done badly either, packed as it is with still-familiar faces: Cher is best friends with Dionne Stacey Dash , but kind of snappy with her annoying ex-stepsibling Josh, whose mum was once married to Cher's ferocious lawyer dad Mel, played by Dan Hedaya. It's this that is perhaps the film's most enduring legacy. Rourke's Motorcyle Boy is dreamily magnetic, with his barely audible mumble and his barely concealed vulnerability. One extended slow-motion sequence, based on Linklater's own experiences, shows younger pupils such as the greenhorn hero, Mitch Wiley Wiggins , being captured by older lads and beaten soundly on the hide with bats. Cher decides that the poor grades she's getting are all to do with the fact that her teachers are lovelorn, so she sneakily gets two of them to fall for one another, and when a dorky east coast girl called Tai shows up, Cher makes her a personal makeover "project". Nearly 60s years later it still packs a punch, with Glenn Ford's Richard Dadier so called mainly to allow the jive-talking students to call him "Daddy-O" struggling to control his pupils at the fictional North Manual high school. Others try and fail, like the pitiful Mr Edwards whose prized 78s are smashed by his class in a symbolic and still upsetting act of rebellion, but hope exists in the form of African-American Gregory Miller, who finally responds to Dadier's patrician authority. It was a movie as vivid and colourful as its heroine's remarkable wardrobe:
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